
The Movie Club
TMC: Raw, unfiltered talk from two dudes and a few badass chicks. No filters, just laughs as we dive into the best, worst, and most obscure movies ever made. If you’re ready for brutally honest, laugh-out-loud takes, this is your kind of podcast.
The Movie Club
Die Hard: The Greatest Action Christmas Debate Ever Told
Die Hard’s cult status sparks debates over its place as a Christmas movie or just a badass action flick. From Bruce Willis redefining action heroes to Alan Rickman’s legendary Hans Gruber, this episode unpacks the humor, explosions, and glass-shattering moments that made Nakatomi Plaza immortal.
In this episode, we look at Die Hard through the lenses of humor, 80s action tropes, and holiday spirit. We debate whether Bruce Willis' John McClane redefined the action hero archetype, exploring Alan Rickman’s legendary villainy, and dissecting why this film’s unique mix of humor, explosions, and redemption keeps it timeless.
By the Numbers
- Release Year: 1988
- Box Office: $140 million globally
- Rotten Tomatoes Score: 94%
- Academy Nominations: Four (Best Sound, Best Film Editing, Best Effects - Sound Effects Editing, Best Effects - Visual Effects)
- Budget: $28 million
Main Cast
- Bruce Willis as John McClane
- Alan Rickman as Hans Gruber
- Bonnie Bedelia as Holly Gennaro
- Reginald VelJohnson as Sgt. Al Powell
- De’voreaux White as Argyle
Fun Facts
- Bruce Willis was paid $5 million, making him one of the highest-paid actors at the time.
- Alan Rickman’s American accent scene was an improvisation included after hearing him joking off-camera.
- The Nakatomi Plaza is actually the Fox Plaza in Los Angeles, under construction during filming.
- The “Yippee-Ki-Yay” catchphrase originates from Roy Rogers' cowboy persona.
- Frank Sinatra had the first refusal for the role of John McClane due to contractual obligations from an earlier film.
- The script was still being written during production, leading to plot inconsistencies, like the missing ambulance.
- McClane’s iconic barefoot scenes used prosthetic feet to simulate injury and realism.
- The explosion and helicopter scenes had to be filmed in three hours due to noise complaints.
Movie Mistakes
- The truck’s lack of an ambulance in the opening shot is a glaring continuity error.
- Hans Gruber’s watch clue was dropped due to script rewrites, leaving a plot gap.
- The “snow” in the final scene is clearly shredded paper.
- McClane’s use of an empty gun clip to trick Hans is implausible without prior setup.
- The glass scene could have been avoided by simply brushing it aside, breaking realism.
Key Takeaways
- Die Hard redefined action heroes with its everyman protagonist.
- Alan Rickman’s Hans Gruber is one of cinema’s most iconic villains.
- The humor infused by director John McTiernan broke the mold of serious 80s action films.
- Practical effects and real stunts added authenticity to the film’s action sequences.
- The debate over Die Hard as a Christmas movie adds to its lasting cultural impact.
- The film’s behind-the-scenes improvisation enriched its storytelling.
- Nakatomi Plaza became a symbol of action cinema.
- Die Hard’s balance of action, humor, and humanity is why it’s a timeless classic.
- Its $140M box office haul against a $28M budget established its blockbuster status.
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The Movie Club, a podcast for people that love movies.
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What, a car?
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I kill him, Gilbert.
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You complete me.
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What's up, daddy?
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We're going streaky!
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Because there's no crying in baseball.
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Nobody puts baby in the corner.
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Do you understand the words?
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You're goddamn right I did!
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You have six fingers on your right hand.
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Yippee-ki-yay, motherfucker.
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All right, it's Die Hard.
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Die Hard.
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The non-Christmas movie?
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Or the Christmas movie.
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We'll be determined.
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We'll figure that out.
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I feel like there's going to be varying opinions in this room.
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I feel like... I know what my opinion is.
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Yeah, I think it's varying.
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And I have a feeling that it varies from mine.
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Well, I'm Katie.
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And I'm Erica.
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And I'm Ryan.
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And I'm John.
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Why do you think I'm going to vary from you?
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i just have a feeling that you're you're contrarian and uh and even if all the
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facts point otherwise that you will be on the other side of this and i also know
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that based on erica's laws of the christmas movie this meets every law of her
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christmas movie does it does it have snow or snow it has christmas trees at the end
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it has snow it has it does it has christmas mute no fake snow
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Well, it might be debris from the blown up building, but it looks like snow.
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I thought it looked pretty like sheets of paper.
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Yeah, it was sheets of paper.
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It was.
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It's white.
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It's snow.
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No, it doesn't have snow.
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It doesn't have Santa.
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I'm not sure it brings on the feels.
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Oh, it definitely brought the feels.
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When?
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The whole movie.
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When were you feeling it?
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The love between John and Holly.
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You felt that?
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I felt it the whole time.
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Okay, I'll pause that.
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Okay, all right.
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I didn't feel like it was a love story.
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No, I didn't feel that much.
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I didn't think their chemistry was that great.
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No.
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On his end it was.
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What does that mean?
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They weren't actually filmed together that much.
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I think it was actually a love story between him and Sergeant Al Powell.
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Now that I agree with.
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There was a bromance happening there.
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I still look at him as Sergeant Carl Winslow.
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He's Carl Winslow.
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The only thing that would have made this movie better is if Urkel had been the limo driver.
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that would have been badass and then when he comes barreling through at the end he
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goes like did i do that
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That would have been alternative ending.
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Except I'm pretty sure this movie came out before.
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It doesn't matter.
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It would have been great.
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So I hadn't seen this movie before, but I was so surprised by how many.
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This was the first time you watched Die Hard.
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Can we cover this for a second?
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Because neither Erica and Ryan, neither of you have seen this before.
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This is your first time, right?
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I saw it before her.
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Because you watched it one day before her.
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Yeah, that's true.
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Yeah.
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Wow, I didn't realize that.
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I think I assumed that Ryan hadn't seen it.
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I'm good.
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There's not enough editing in the world for you.
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I'm so sorry.
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I am a multiple sneezer and I can't help it.
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Three, not enough.
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I usually go four or five.
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And sometimes I slip a six one in there.
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You know, you don't you don't even know what to expect.
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So I'll let you know the next time it's happening.
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And so I did see the movie like a day or two before her.
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Yeah, it's true.
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Caitlin, when did you see this movie?
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Like when I was younger.
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I saw this movie probably when it came out.
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I did not.
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And we're off.
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I watch it pretty much every year.
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The movie was like 10 years old when you came out.
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Is it a Christmas tradition for you to watch this?
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Yes, Erica, it is.
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So, all right.
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I'm going to kick off the ratings because John thinks I hated the movie.
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I don't think you hated it.
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I think that you think it wasn't a Christmas movie.
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No, it definitely is a Christmas movie.
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Wow.
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I did not expect that.
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A thousand percent a Christmas movie.
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And I'm going to give this out of, we're doing out of 10, right?
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Yeah.
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10.
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I'm going to go eight.
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Eight.
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Okay.
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Who's next?
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I'm an 8.7.
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I really like it.
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Wow.
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8.7.
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Yes.
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That's not as obscure as your other rating.
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8.7.
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I could go 873.
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Wow.
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Okay.
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I like that number combination.
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Anyway.
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I gave it an 8.5.
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I am going to say like a 9.5.
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Wow.
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And the reason I'm that high is because I'm putting this into an action level.
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Genre?
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Action Christmas.
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And I think because for action movies,
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I think this sets the precedent of what an action movie should be.
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Because of that,
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I think it deserves an amazing score because this is,
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to me,
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one of the great action movies ever.
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Yeah, I don't disagree.
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Yeah.
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So 9-5.
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Well, IMBD gave it an 8.2 out of 10.
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I was the closest.
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Rotten Tomatoes gave it a 94%.
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I was closest.
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Ebert gave it two out of four stars.
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I was the closest there, too.
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Harsh.
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Yeah.
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Why do you like it?
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I don't know.
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I don't know.
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I'm not in agreement with a lot of his ratings.
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Me either, actually.
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Same.
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And you know what I noticed,
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too,
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when we did the Christmas episode,
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he gave a lot of the Christmas episodes really bad ratings.
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He's a snob.
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I don't think he celebrated Christmas.
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Doesn't like Christmas.
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Yeah.
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which just verifies that this is a Christmas movie.
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That's right.
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Good point.
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Good point.
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So we got three Christmas movies.
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Does anybody here think it's not a Christmas movie?
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Better find a new place to go home to.
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I don't know.
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I can't put in there.
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I don't know.
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So three of us think it's a Christmas movie.
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Is that correct?
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Yes, I think it's a Christmas movie.
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I'm down for Christmas.
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I'm saying no.
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I can't put it on my Christmas movie checklist of movies to watch.
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Okay, good.
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So we do have a varying opinion here, which is good.
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I didn't want four people who thought it was a Christmas movie.
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So Erica, why do you not think it's a Christmas movie and why are you wrong?
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Because there's no Santa Claus to sit on his lap.
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There's no Santa Claus or snow.
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There's no.
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But there is a guy in a sweatshirt with a ho, ho, ho.
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Yeah.
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There's a lot of Christmas trees.
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It takes place during Christmas.
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They're at a Christmas party.
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It's not necessarily Christmas Eve.
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I think it was Christmas Eve.
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Who has a work party on Christmas Eve?
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I do agree that that's not very realistic, but I think they say that it is Christmas Eve.
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She's on the phone with the kids.
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You have to get to bed before Santa comes.
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Oh, really?
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So it is Christmas Eve.
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Did you not watch his movie?
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Yes, that's what I'm saying.
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Not realistic.
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We probably wouldn't be having a work party on Christmas Eve.
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But who knows?
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I mean, they're in California.
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Well, that was one crazy party.
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I gotta tell you, I was thinking about this.
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I was thinking about this because I watched it and I'm like,
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right off the bat,
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the owner of the company goes walking in and Ellis is doing a line off of Holly's desk.
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yeah and then he just not even his own desk and he's clearly doing a line off the
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desk and uh what's the owner's name have we figured that out yet so first time
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seeing the movie i don't know what you thought we didn't we didn't talk about the
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movie we watched it we didn't talk about it
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he was doing the line off her desk.
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When he jumped up and everybody walked in the room, I fully expected Holly to be under the desk.
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Oh yeah, I thought for sure that's what was going on.
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Wait, are you serious?
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My mind never went there.
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He jumped up.
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He was trying to get with her earlier in the movie.
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She wanted nothing to do with him.
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Right, but he jumped up where people walked in.
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And John walked in.
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I'm like, oh, she's under the desk.
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No, not Holly.
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Wrong.
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He was doing a line right off her ass.
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That would have changed that dynamic right to an NC-17 rating on that one.
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No, Holly's a sweetheart.
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She is trying to salvage this marriage that John is trying to destroy.
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Holly's hanging in there with this thing, I think.
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Erica's giving me a switch.
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No, you think she's out?
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No, I don't think she's out.
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She seems so excited when John shows up and he's there.
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And then she's like, will you stay with us?
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The kids would love it.
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But that's where I'm like, he wasn't even going to stay with them?
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How bad is their relationship that he flew across the country and he wasn't going
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to stay with it?
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And she was fully planning on him staying.
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In the beginning, she was planning on it because she had a room made up for him.
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But the way she said it, like, you could stay with us.
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Like, you make plans on where you're going to stay.
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So, like, did he have a hotel room?
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Possibly a pot hole.
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No, he was going to stay with his friend.
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And I thought the house, the nanny was making up the room for her to stay.
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By the way, Holly's doing pretty, pretty well.
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She's making some money, Holly is.
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I mean, she's got a nanny at home.
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We know her house is banging.
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It has to be.
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What?
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You know she has a big-ass house with her nanny and her spare room for John,
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which she does admit isn't that big,
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though.
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She says that.
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I think John's a little jealous of this house.
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We didn't see the house.
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We never did.
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We just saw the one room.
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the kitchen or whatever they were in when she was on the phone.
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Oh, right.
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The maid.
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Are you sure you've seen this movie?
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Yeah, the maid was on the phone.
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When she said she, I thought you meant Holly, but I don't remember ever seeing her on the phone.
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Erica, would you like to also tell us your reasons for it not being a Christmas movie?
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Does it not bring on the feels at the end when they dry hump in the limo at the end?
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We don't see that.
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We don't necessarily see all that,
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but we just assume that's what happens on the ride back to the house.
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Is that what makes it a Christmas movie?
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That's what made it a Christmas movie for me.
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You know, Argyle is like... You know, because those things have dividers in them.
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I got it.
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I really loved it.
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I feel like I could watch it any time of year.
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Funny.
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It doesn't have to be Christmas.
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Like most Christmas movies, I only want to watch at Christmas.
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I agree with that.
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You could plop it in another.
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You could, but I wouldn't.
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Plop it?
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No.
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What?
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Would you just say plop it?
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It could have been a Halloween party or Thanksgiving.
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Definitely not Halloween.
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There's Christmas trees.
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No.
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Okay, obviously.
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But like the storyline.
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You can put it in between Law and Order and CSI.
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It'd be okay watching it.
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Honestly, you don't have to watch this during Christmas.
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You can watch it anytime.
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For a Christmas movie that really stands alone.
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I think I'm with Katie here.
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I'm going to make this a Christmas tradition.
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Good.
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Me too.
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Although my kids have to be old enough to see it.
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There is boob in this movie.
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Yes.
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And it's right in the beginning.
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The girl comes running out of the office.
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Yeah, when Hans Gruber and all of them come up.
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They're ripping people out of the office.
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You know what?
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What's wrong with that?
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It's part of the human body.
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Nothing.
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I just don't want to watch a movie next to...
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My kids seeing boobs for the first time.
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Make it uncomfortable for all of us on that couch.
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Walk us through this movie, Katie.
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OK, so it was directed by John McTiernan, who refused to direct the movie like several times.
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They came to him to do this and he did not want to do it.
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And finally, he did agree to it, but he changed the script a lot.
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And he was really the one that insisted on the humor aspect of it.
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Can I say something about that?
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He directed Predator, which he did one year prior to this, which was in 1987.
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This came out in 88.
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And it was produced by a guy named Joel Silver.
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I didn't know this.
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This was brand new to me.
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So Joel Silver, the producer, was also involved with Commando, Lethal Weapon, and Predator.
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So these are like for the late 80s, these are the top action movies of their day.
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So Silver and McTiernan are like, you know, really, really high end guys.
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And for a movie that got shot down by a lot of people,
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they at least had the director and the producer like right from the beginning.
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It was written by Jeb Stewart and Stephen E. DeSawa.
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And Jeb Stewart was originally the writer on it.
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And he basically got fired by McTiernan because he really didn't know how to add
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the humor aspect to it.
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So he brought in Stephen DeSawa.
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And our main actors here are Bruce Willis plays John McClane.
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Alan Rickman is Hans Gruber.
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Bonnie Bedelia is Holly Gennaro, and Reginald Bell Johnson is Sergeant Al Powell.
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Devereaux White is Argyle,
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and William Atherton plays Richard Thornburn,
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who is the news broadcaster that comes and interviews the kids.
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Now, did you see who had the right of first refusal for the role?
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Oh, I did.
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Okay.
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Were you getting to that?
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Mr. Blue Eyes and stuff.
(00:15:38):
You guys know this?
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No.
(00:15:39):
Yeah, this is an interesting story.
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So I don't know the name of the movie that came first.
(00:15:46):
The Detective.
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The Detective.
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So this movie had a clause in it that if any sequel came from it,
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that the leading role had to be offered to Frank Sinatra.
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And even though this movie wasn't an exact sequel,
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it qualified under whatever their contract was.
(00:16:08):
The leading role in the movie?
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Yes.
(00:16:13):
John McClane could have been played by Frank Sinatra.
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That would have been awful.
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Dude, imagine that.
(00:16:18):
Yeah, I mean, he reasonably turned it down and...
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Why did he have first writer refusal?
(00:16:23):
Because he was the lead in the movie The Detective.
(00:16:27):
And so they were thinking about doing like a sequel and there was some type of
(00:16:31):
contract that said he would get first dibs on that role.
(00:16:34):
So I don't know if you guys will like this or not,
(00:16:36):
but I want you to think of Frank Sinatra in this role,
(00:16:41):
right?
(00:16:42):
And then the movie ends, and it's Frank Sinatra who lets Hans Gruber go, and then this plays.
(00:16:50):
Hang on one second.
(00:16:51):
I just wanted you to hear this.
(00:17:02):
this is as he's falling that's life that's what all the people could you imagine
(00:17:09):
him just singing this to hans as he's falling from the building that would have
(00:17:12):
been such a bad no it would have been an awful awful honestly it wouldn't have made
(00:17:18):
sense because sinatra obviously wouldn't have fit this role at all but it's
(00:17:23):
interesting that he even had a um chance to turn it down
(00:17:29):
Yeah, but I mean, even Bruce Willis was not their number one pick in any possible way.
(00:17:36):
They wanted to go with Schwarzenegger.
(00:17:38):
And like this is the late 80s.
(00:17:40):
This is when Schwarzenegger and Sylvester Stallone.
(00:17:43):
It was the muscle bound time for like the guys who did action movies were like jacked, you know.
(00:17:52):
which made this movie so interesting that I guess those guys all turned it down and
(00:17:55):
then they had to turn the walls.
(00:17:57):
Burt Russell, or I'm sorry, Burt Reynolds.
(00:18:02):
I think he was still on Santa Claus.
(00:18:06):
Let me tell you someone who turned it down.
(00:18:09):
Burt Russell.
(00:18:10):
James Caan was another one.
(00:18:12):
It's also Kurt Russell, by the way.
(00:18:13):
I know.
(00:18:14):
I combined it.
(00:18:17):
James Caan turned this down?
(00:18:18):
Yeah, Richard Gere.
(00:18:20):
But their number one pick that they wanted was Clint Eastwood.
(00:18:24):
He would have been good in this.
(00:18:25):
I could see Clint Eastwood.
(00:18:27):
He would have been great, actually.
(00:18:28):
He read the script, and he said he didn't get the humor of it.
(00:18:31):
He'd have been like, yippee-ki-yay, motherfucker.
(00:18:34):
Yeah, I don't know.
(00:18:37):
Maybe because we see Bruce Rollins in the movie, we just know.
(00:18:41):
It's hard to, yeah.
(00:18:42):
Yeah, but he just looks like John McClane.
(00:18:46):
Right.
(00:18:47):
I know, but I could see Clint Eastwood doing that.
(00:18:49):
He's able to do that serious and comedic.
(00:18:52):
Yeah.
(00:18:52):
Have you seen Dirty Harry, though?
(00:18:54):
Dirty Harry movies were so freaking good,
(00:18:56):
and they actually did fit the John McClane character,
(00:19:01):
I think.
(00:19:05):
Speaking of Bruce Willis,
(00:19:07):
did you know that what made him kind of interesting for this pick is that he was on
(00:19:12):
a sitcom show called Moonlighting during his time with Sybil Shepard.
(00:19:19):
And this was before it was a really big leap for people to go from TV to cinema.
(00:19:26):
So it was kind of a big jump for him and for the studio to pick him.
(00:19:33):
moonlighting the only reason he had a chance to do this is because anybody anyone
(00:19:39):
anyone sybil shepherd was pregnant so she gets pregnant and moonlighting needs to
(00:19:45):
take a hiatus from filming and that's what opened up yeah that's what gave him the
(00:19:50):
opportunity because he didn't want to give up this you know that was his like meal
(00:19:54):
ticket
(00:19:55):
And this is his first movie.
(00:19:57):
Yes.
(00:19:58):
Now, something about the show Moonlighting.
(00:20:01):
I don't know why I'm going to keep going back to Moonlighting.
(00:20:04):
But it's a weird, it's an obscure kind of show.
(00:20:07):
I remember watching it because it was like what we watched back then.
(00:20:11):
But I looked it up and I'm like, OK, so you got Bruce Willis, Sybil Shepard.
(00:20:15):
Now you look back and those are like two pretty big names.
(00:20:18):
But there were guest stars in this show that really jumped out at me.
(00:20:22):
Tim Robbins,
(00:20:23):
C.
(00:20:23):
Thomas Howe,
(00:20:24):
Orson Welles,
(00:20:26):
Richard Belzer,
(00:20:27):
Whoopi Goldberg,
(00:20:28):
Judd Nelson,
(00:20:30):
Paul Servino.
(00:20:31):
Do you remember him?
(00:20:33):
Goodfellas.
(00:20:35):
Pierce Bronson,
(00:20:36):
Robert Wohl,
(00:20:37):
John Goodman,
(00:20:38):
and Demi Moore all had had guest appearances in this show,
(00:20:42):
and it's like,
(00:20:42):
damn,
(00:20:43):
that show was pulling some serious talent back then,
(00:20:45):
so...
(00:20:46):
Is it Moonlighting?
(00:20:48):
Moonlighting.
(00:20:49):
It was a mid-80s.
(00:20:51):
I don't think you would call it a sitcom because it was like a drama.
(00:20:57):
But he was very snarky in that, too.
(00:20:59):
He had that snarky sense of humor, which apparently he says he used his South Jersey humor.
(00:21:05):
So he must be pretty local.
(00:21:08):
I didn't know that.
(00:21:11):
Well,
(00:21:11):
when the trailer actually hit the theaters,
(00:21:14):
viewers basically laughed at the fact that this was Bruce Willis in this action role.
(00:21:21):
So at that point,
(00:21:23):
the production company actually decided to take his picture off the promotion poster.
(00:21:28):
I mean,
(00:21:30):
if people knew him as character on Moonlighting,
(00:21:32):
and this is a totally completely different role for him.
(00:21:36):
I mean,
(00:21:37):
if every action movie was Sylvester Stallone and Arnold Schwarzenegger,
(00:21:40):
these bulked up steroid out it guys.
(00:21:44):
This was the first movie that put like a dude who just looked like the average guy in that role.
(00:21:49):
So it really did kind of like this movie is going to suck.
(00:21:53):
Yeah.
(00:21:53):
And it ended up just being a picture of the building until they started bringing in
(00:21:58):
money and they added his face back onto it.
(00:22:01):
Yeah.
(00:22:03):
Yet he's still got five mil.
(00:22:05):
That's all he got for the movie?
(00:22:07):
Well, I guess back then.
(00:22:08):
1988.
(00:22:08):
At that time, he was the highest paying actor from that contract.
(00:22:13):
Wow.
(00:22:14):
And it made over $140 million.
(00:22:17):
They were nominated for four Academy Awards,
(00:22:20):
Best Sound,
(00:22:21):
Best Film Editing,
(00:22:22):
Best Effects Sound,
(00:22:24):
Effects Editing,
(00:22:25):
and Best Effects Visual Effects.
(00:22:27):
And Best Picture.
(00:22:29):
No, I'm just kidding.
(00:22:29):
It was the best holiday movie.
(00:22:41):
Why was everybody so negative on this movie when it was coming out?
(00:22:46):
because it was so different than the typical action film.
(00:22:55):
I think this was kind of the first film that really added that humor aspect.
(00:22:59):
Yeah, yeah.
(00:23:00):
I mean, Schwarzenegger dominated action movies and Stallone.
(00:23:04):
It was all Commando, Terminator, Stallone was- Rambo.
(00:23:10):
Rambo, exactly.
(00:23:11):
It was like that same kind of person.
(00:23:14):
yeah and I think like I read that a lot of the actors that turned it down said they
(00:23:19):
turned it down because he seemed like a wimp and like that he was just trying to
(00:23:22):
get outside help and not but it's like that's a real person yeah he was just an
(00:23:27):
ordinary cop like a cop you know that if this was a Schwarzenegger based movie it
(00:23:32):
would have been so different he would have just toured his fucking terrorist the
(00:23:35):
park movie over like there would have been no see but you can't put Schwarzenegger
(00:23:41):
into a detective role like
(00:23:45):
Kindergarten cop.
(00:23:46):
I was just going to say that.
(00:23:51):
Yeah, Bruce Willis is a normal average Joe who's a police officer.
(00:23:55):
Well, that's what made the movie work.
(00:23:57):
But it's also what I think made them think the movie wouldn't work.
(00:24:02):
is that he wasn't a heroine that could like the rambo thing was rambo went into
(00:24:07):
vietnam and like you know destroyed them all like that's the movie he just went in
(00:24:14):
and tore everybody up or this was a guy who like clearly was outnumbered and he got
(00:24:20):
messed up the whole time like it
(00:24:24):
It was so, I think the realism of it.
(00:24:27):
This was much more my speed than Rambo or any of the other ones.
(00:24:31):
I just wasn't into those.
(00:24:34):
Oh, I totally agree.
(00:24:35):
I think this works on a different level for sure.
(00:24:38):
How about you open your Christmas presents?
(00:24:40):
Oh, that would be great.
(00:24:41):
Speaking of Christmas.
(00:24:43):
Well, this movie must have put you in the Christmas mood.
(00:24:46):
It did.
(00:24:47):
This non-Christmas movie made me go out and get a gift.
(00:24:49):
Well, I'm going to open my Christmas present.
(00:24:52):
This is so sweet.
(00:24:53):
Thank you so much.
(00:24:55):
You're sitting there.
(00:24:56):
You're welcome.
(00:24:57):
For this back scratcher.
(00:24:59):
Oh my goodness.
(00:25:15):
there's a lot of good things in there our night just got extended oh my goodness
(00:25:21):
there's so many flavors and it does wow it doubles as a scratch oh it does you know
(00:25:27):
what candy cane it does work
(00:25:30):
Booze.
(00:25:31):
It's a candy cane full of alcohol.
(00:25:34):
Wow.
(00:25:35):
We got 99 bananas.
(00:25:36):
Oh, 99.
(00:25:37):
99 peppermint.
(00:25:39):
Actually, I see a theme.
(00:25:40):
The 99 theme.
(00:25:41):
Yeah.
(00:25:42):
Wow.
(00:25:43):
99 berries was what I drank like freshman year.
(00:25:46):
It's in there.
(00:25:47):
I have one.
(00:25:47):
Is it one of them?
(00:25:48):
All right, guys.
(00:25:49):
Yeah.
(00:25:50):
We all have the same.
(00:25:52):
We always did the bananas.
(00:25:54):
Wait, do we open it from the bottom?
(00:25:55):
Variety in here.
(00:25:57):
So as we're playing with our new gifts...
(00:26:01):
Your favorite scene of the movie?
(00:26:05):
My favorite scene in the movie?
(00:26:07):
The whole movie?
(00:26:08):
Yippee-ki-yay, motherfucker.
(00:26:10):
Why say something that you know you're not going to keep?
(00:26:16):
I feel like you should have let me say it.
(00:26:18):
That way it may not have gotten edited out later.
(00:26:20):
All right, I'm going to say it.
(00:26:22):
That way we can keep it.
(00:26:23):
What's your favorite scene of the movie?
(00:26:26):
Yippee-ki-yay, motherfucker.
(00:26:32):
I like when she gets married.
(00:26:35):
That is also my favorite scene.
(00:26:38):
Nice, nice, nice.
(00:26:39):
Are you still there?
(00:26:42):
Yeah, I'm still here.
(00:26:42):
Unless you want to open the front door for me.
(00:26:47):
I'm afraid not.
(00:26:48):
But you have me at a loss.
(00:26:51):
You know my name, but who are you?
(00:26:53):
Just another American who saw too many movies as a child.
(00:26:58):
Another orphan of a bankrupt culture.
(00:27:00):
This is John Wayne.
(00:27:02):
Rambo.
(00:27:03):
Marshall Dillon.
(00:27:05):
I was always kind of partial to Roy Rogers, actually.
(00:27:07):
I really like those sequins.
(00:27:10):
Do you really think you have a chance against us, Mr. Cowboy?
(00:27:16):
Yippee-ki-yay, motherfucker.
(00:27:21):
Does Roy Rogers say yippee-ki-yay?
(00:27:23):
I don't know.
(00:27:23):
I think that was ad-lib.
(00:27:27):
That could be.
(00:27:28):
Like, I didn't know if Yippee-ki-yay was like a famous Western saying.
(00:27:33):
I don't know.
(00:27:34):
I know I've said it all my life.
(00:27:36):
This is where it came from.
(00:27:37):
That's pretty cool.
(00:27:39):
It didn't come from Roy Rogers?
(00:27:42):
I don't know.
(00:27:42):
Google it.
(00:27:44):
Somebody Google it.
(00:27:45):
I feel like it was kind of a very Western kind of thing to say.
(00:27:48):
Sounds like it.
(00:27:49):
Yippee-ki-yay.
(00:27:50):
Well, that's not yippee-ki-yay, though, is it?
(00:27:53):
That's yippee-ki-yo-ki-ay.
(00:27:56):
Two very, very distinctly different things.
(00:27:59):
Yippee-i-yo-ki-ay.
(00:28:01):
Now you introduce the third one.
(00:28:04):
Come on.
(00:28:05):
Kay's favorite part of the movie was your favorite.
(00:28:07):
Roy Rogers said, Yippee-i-oh-ki-ay.
(00:28:10):
Exactly.
(00:28:11):
Yippee-i-oh-ki-ay.
(00:28:13):
He did?
(00:28:14):
I guess it.
(00:28:14):
Yippee-i-oh-ki-ay.
(00:28:15):
This was later popularized as the cowboy actor Roy Rogers' own Yippee-ki-ay kids on
(00:28:22):
the Roy Rogers show.
(00:28:24):
Wow.
(00:28:24):
Dude, you think we could find a clip of Roy Rogers saying it?
(00:28:28):
I'm pretty sure.
(00:28:30):
Oh, that would be amazing.
(00:28:32):
I think we can make that happen.
(00:28:33):
I don't know.
(00:28:35):
Roy Rogers.
(00:28:37):
Yippee.
(00:28:37):
You know what?
(00:28:38):
All right, guys.
(00:28:41):
Something's about.
(00:28:41):
Now I get why Erica really wanted us to open that up earlier.
(00:28:45):
Hold on to your seats, ladies and gentlemen.
(00:28:49):
He sounds just like Bruce Willis here.
(00:28:51):
Mm hmm.
(00:28:53):
There it is.
(00:28:54):
This definitely doesn't have the punch.
(00:28:58):
Okay.
(00:28:58):
I'm with Bruce Willis on this one.
(00:29:00):
He did it much better.
(00:29:02):
You know what's funny about that?
(00:29:04):
Nothing.
(00:29:05):
How did you get Yippee-Ki-Yay motherfuckers?
(00:29:20):
That's fantastic that they did that.
(00:29:23):
That's great.
(00:29:25):
You thought that was a John McLean original?
(00:29:33):
I just had never heard anyone say yippee-ki-yay before, but I didn't watch Roy Rogers movies.
(00:29:39):
That was more my mom's speed.
(00:29:44):
Erica, what's your favorite part of the movie?
(00:29:47):
Uh...
(00:29:49):
Oh, that's good.
(00:29:50):
Jeez.
(00:29:50):
Can I go with my favorite part?
(00:29:57):
My favorite part?
(00:29:58):
Play my clip.
(00:30:00):
Oh, okay.
(00:30:01):
Sure.
(00:30:01):
Yeah, okay.
(00:30:03):
You know what?
(00:30:04):
It's cool you named your clip after yourself.
(00:30:07):
That way I knew exactly who to play it for.
(00:30:09):
That's why I named it that way.
(00:30:10):
You named it asshole.
(00:30:11):
This is my favorite part.
(00:30:14):
You listen to me, you little asshole.
(00:30:16):
I'm an asshole.
(00:30:18):
I'm not the one who just got buttfucked on national TV, Dwayne.
(00:30:22):
Now you listen to me, Jerkoff.
(00:30:23):
If you're not part of the solution, you're part of the problem.
(00:30:25):
Quit being part of the fucking problem and put the other guy back on.
(00:30:28):
All right.
(00:30:30):
I did love that part.
(00:30:31):
That was a great part.
(00:30:32):
This is when he's talking to the police chief, right?
(00:30:34):
Yes.
(00:30:34):
Do you know what movie he is in?
(00:30:38):
You said it yesterday.
(00:30:39):
Shit.
(00:30:40):
No.
(00:30:40):
The police chief died.
(00:30:41):
You do.
(00:30:42):
You know what movie he's in.
(00:30:44):
He does look so familiar.
(00:30:46):
Paul Gleason.
(00:30:47):
He is the principal in The Breakfast Club.
(00:30:50):
You're right.
(00:30:51):
I know I'm right.
(00:30:53):
There were a lot of really famous people in here.
(00:30:56):
Even when Hans came on, I was like, I know that voice.
(00:30:58):
I know that voice.
(00:30:59):
I was like, that is Snape.
(00:30:59):
Did you know this was... And I know.
(00:31:01):
What?
(00:31:06):
You didn't know who Alan Rickman was?
(00:31:09):
No, I was like, he's... Who's Alan Rickman?
(00:31:12):
Hans Gruber.
(00:31:12):
No, he didn't.
(00:31:14):
Like, we watched all this.
(00:31:15):
You've never seen any of the Harry Potter movies?
(00:31:16):
Harry Potter.
(00:31:17):
No.
(00:31:18):
He's like, oh, no, I didn't pay attention.
(00:31:20):
Potter, Potter.
(00:31:21):
No, I don't watch.
(00:31:23):
Harry Potter was... No, that's like the godfather for me.
(00:31:26):
Not here.
(00:31:27):
Not here.
(00:31:27):
What?
(00:31:28):
It's too long.
(00:31:29):
They're not too long.
(00:31:31):
The books are 4,000 pages long.
(00:31:33):
The movie's like six hours.
(00:31:34):
Forget it.
(00:31:35):
Too much.
(00:31:35):
No, the movies are two hours each.
(00:31:37):
Yeah, it's too much.
(00:31:39):
Not good.
(00:31:40):
It just wasn't my thing.
(00:31:41):
I don't know.
(00:31:42):
Me and the kids like it.
(00:31:44):
that's fine um did you know that this was uh what's his name alan rickman's uh
(00:31:51):
first movie yeah he was discovered in the theater uh so there's two people that
(00:31:58):
really really made i mean this movie shot their careers like in the orbit now we
(00:32:05):
can't say the same for holly so i know her from the show parenthood
(00:32:14):
She is the mother or grandmother of the whole family.
(00:32:20):
Wow.
(00:32:20):
In parenthood?
(00:32:21):
In parenthood, yes.
(00:32:22):
No, the show.
(00:32:23):
The show Parenthood.
(00:32:24):
Yeah.
(00:32:24):
Not the critically acclaimed movie Parenthood.
(00:32:27):
Well, the show is incredible.
(00:32:28):
I highly recommend it.
(00:32:29):
It is a really good show.
(00:32:31):
There's great acting.
(00:32:33):
The storyline is awesome.
(00:32:35):
If you're a Gilmore Girls fan, Lauren Graham is in it.
(00:32:38):
Hi.
(00:32:43):
It's really good.
(00:32:44):
And...
(00:32:44):
Some backscratcher.
(00:32:45):
Hold on.
(00:32:47):
Yeah.
(00:32:50):
Bobby Nash.
(00:32:50):
9-1-1.
(00:32:53):
He's in it.
(00:32:53):
Dax Shepard is in it.
(00:32:56):
Yeah.
(00:32:56):
Yeah.
(00:32:56):
Parenthood was a great show.
(00:32:59):
Great movie.
(00:33:00):
Yeah.
(00:33:00):
Well, the show, I think the show was really good though.
(00:33:03):
Okay.
(00:33:04):
Dax Shepard was in Craig T. Nelson.
(00:33:08):
He was Hayden Fox is her husband in it.
(00:33:10):
He was Hayden Fox?
(00:33:12):
Not in Paranoid.
(00:33:14):
No, Craig T. Nelson is the dad of the grandfather and he's married to Bonnie Bedelia.
(00:33:22):
Oh, interesting.
(00:33:23):
But I don't know her from any other movies.
(00:33:26):
That's the only thing I know her from.
(00:33:27):
Yeah.
(00:33:28):
Huh.
(00:33:30):
And the guy who really should have taken off is obviously Alice.
(00:33:36):
Come on.
(00:33:37):
That guy was great.
(00:33:39):
Alice, the coke sniffing.
(00:33:41):
Oh, that guy.
(00:33:42):
He's like, hey, baby, let me tell you something.
(00:33:45):
I liked Argyle.
(00:33:46):
Argyle, also, I don't think we saw him again.
(00:33:49):
Argyle, has he done anything else outside of Die Hard?
(00:33:53):
Because I thought he was fantastic.
(00:33:54):
He was the little kid in that own golden pond.
(00:34:00):
They did his role really well.
(00:34:04):
They gave him just enough air time, just enough spoken word.
(00:34:10):
I feel like he should have skyrocketed after this because it's like
(00:34:18):
They didn't overexpose him.
(00:34:20):
It's like he got enough good shit in.
(00:34:22):
He really should have taken off from this.
(00:34:24):
He did well.
(00:34:24):
He reminds me of, we were talking earlier, Josh Johnson on The Daily Show.
(00:34:29):
He's the news correspondent.
(00:34:30):
He's the same role.
(00:34:31):
He's just unassuming.
(00:34:33):
He's there and he's funny.
(00:34:34):
All very like...
(00:34:36):
He didn't make it.
(00:34:37):
Not great movies, yeah, that I've never heard of.
(00:34:39):
Argyle?
(00:34:40):
Yeah.
(00:34:41):
But I did want to bring this up,
(00:34:43):
because I just saw him on...
(00:34:44):
There's a show on Netflix that I've told you guys about before called The Movies
(00:34:49):
That Made Us.
(00:34:50):
And they have different episodes about very popular movies,
(00:34:55):
and they interview directors,
(00:34:57):
writers,
(00:34:58):
all the people that were involved in making it.
(00:34:59):
Sometimes there's some of the actors on there, too.
(00:35:02):
And Argyle, Deborah White was...
(00:35:05):
They did one about Die Hard?
(00:35:07):
Yeah, they did.
(00:35:07):
Yeah.
(00:35:08):
I didn't watch that.
(00:35:09):
So he was on there.
(00:35:10):
Bonnie Bedelia was also on there, too.
(00:35:13):
And William Atherton.
(00:35:14):
So they interviewed them.
(00:35:16):
Which one's William Atherton?
(00:35:18):
He's that newscaster that goes and interviews.
(00:35:20):
Oh, from the Ghostbusters.
(00:35:22):
Yes, he's from Ghostbusters, too.
(00:35:24):
He plays a really good jerk.
(00:35:27):
Do we know why Holly punches him at the end of the movie?
(00:35:30):
Because he interviewed,
(00:35:32):
he went to their house,
(00:35:34):
found out where they lived,
(00:35:35):
interviewed their children,
(00:35:36):
and put them on the news.
(00:35:38):
Did she see that?
(00:35:39):
Yes, because Hans is watching it.
(00:35:42):
That's also how he finds out that she is McLean's wife.
(00:35:46):
i thought he lifted up the picture frame and saw well that was after he was
(00:35:50):
watching the news oh okay now it makes more sense i didn't realize that he put that
(00:35:55):
together yeah that's he's smarter than i am that's a big that haunts faking that
(00:36:01):
accent smart cookie i gotta tell you that was actually my favorite part i don't
(00:36:06):
think i have a clip of it i could possibly find it but
(00:36:10):
when McClane finds Hans alone, and then he fakes that American accent.
(00:36:17):
Oh, yeah.
(00:36:17):
Love that.
(00:36:19):
That was actually... Alan Rickman was off-camera just fucking around and, like...
(00:36:29):
did an american accent and like was just goofing around with it and they decided to
(00:36:33):
incorporate that yeah and that's when he ended up doing it and what's funny is
(00:36:38):
watching it again even i was just like um like i was i forgot so much about this
(00:36:44):
movie so i could see it almost a lot of it from the first time
(00:36:48):
And I'm like, man, McClane, you're getting played.
(00:36:50):
Like, you're not smart in this?
(00:36:52):
Hands him a gun and stuff?
(00:36:53):
And then I didn't even realize he handed him a gun with a...
(00:36:56):
I did go...
(00:36:56):
In that scene,
(00:36:57):
I went back a couple of times.
(00:37:00):
he had to have had an empty clip on him because he didn't empty the clip.
(00:37:06):
There's some holes in this movie, buddy.
(00:37:08):
There's a few.
(00:37:10):
A huge thing that I learned is that they were still writing the script as they were filming.
(00:37:16):
So they were filming, then Alan Rickman does this
(00:37:20):
American accent and they're like oh good we can add this in like there's also a
(00:37:24):
very big plot hole that I didn't notice until I read this but you know in the
(00:37:30):
beginning when they show the truck coming in the garage and then
(00:37:36):
So in the end, we know there's an ambulance in there.
(00:37:39):
But if you look in the beginning when all the guys are coming out,
(00:37:43):
there's clearly no ambulance in the back.
(00:37:46):
So they had to like go through and like trim some stuff.
(00:37:50):
And apparently there is supposed to be a part where all the criminals like
(00:37:54):
synchronize their watches.
(00:37:56):
And when McLean is talking to Hans Gruber,
(00:38:01):
there's a part where he notices like his watch and that was a giveaway to him that
(00:38:06):
he was one of them.
(00:38:08):
But we never see that in the beginning.
(00:38:11):
Hmm.
(00:38:12):
Yeah.
(00:38:12):
That's interesting.
(00:38:13):
Yeah.
(00:38:16):
Fun fact on Devereaux White.
(00:38:18):
That's his name, right?
(00:38:19):
Argyle?
(00:38:21):
2020, he made a reappearance.
(00:38:23):
In what?
(00:38:24):
A Die Hard commercial.
(00:38:26):
For the battery.
(00:38:28):
He's doing great then.
(00:38:30):
The battery?
(00:38:31):
The battery, yes.
(00:38:32):
Die Hard batteries.
(00:38:33):
Die Hard batteries.
(00:38:34):
Car batteries.
(00:38:35):
Yeah.
(00:38:35):
Yeah.
(00:38:36):
He did it.
(00:38:37):
He played his own Argyle role in the Die Hard battery.
(00:38:40):
commercial.
(00:38:41):
Oh, that's funny.
(00:38:41):
So we had spoken about how we could possibly get an obscure actor on this.
(00:38:46):
Argyle could be one of those.
(00:38:48):
Easily.
(00:38:49):
Argyle,
(00:38:50):
if you're listening or if you know Argyle,
(00:38:52):
Deverell White,
(00:38:54):
tell them to get in contact with us.
(00:38:55):
Because
(00:38:56):
Or if like I go out and I can't start my car, there's a good possibility that I think we could.
(00:39:01):
And he he's he has his own business in California and he's part of a rehabilitation
(00:39:07):
center or something.
(00:39:08):
He's affiliated.
(00:39:09):
So I'm pretty sure we can track him down.
(00:39:12):
Yeah.
(00:39:12):
Let's get on it.
(00:39:14):
That's pretty cool.
(00:39:15):
I think that'd be pretty cool.
(00:39:16):
I do have a fun.
(00:39:17):
He'd be a fun one to be on.
(00:39:19):
Probably.
(00:39:19):
You have a fun fact.
(00:39:21):
Nakatomi Plaza.
(00:39:24):
Is it real or fake?
(00:39:26):
Well, it was Fox Plaza.
(00:39:28):
Yes, it's real.
(00:39:31):
Yeah, they filmed it in a real... They filmed it in the Fox Plaza.
(00:39:35):
Yeah, they wanted the authenticity of a real building, and this Fox... What was it called?
(00:39:40):
Fox Plaza?
(00:39:40):
Fox?
(00:39:41):
Yeah.
(00:39:42):
It was under construction.
(00:39:43):
Don't laugh.
(00:39:45):
It was under construction, and they got the rights to film there.
(00:39:49):
They were even given permission to use the floors of the building that were still
(00:39:55):
under construction.
(00:39:56):
They were able to film this whole thing.
(00:39:57):
Yeah, that was their whole set, and they charged themselves red.
(00:40:01):
they did and they really annoyed all the other people that were did you see that uh
(00:40:07):
they made so much noise because apparently they like really did blow up like cars
(00:40:11):
and shit and they annoyed the neighbors so much that they only got three hours to
(00:40:17):
film that helicopter sequence at the very end in any event they had this film that
(00:40:21):
whole fucking thing in three hours
(00:40:24):
and the story goodbye that's it that's all i have to say all right katie what is
(00:40:30):
your favorite scene
(00:40:32):
I really like at the end when John McClane is coming out of the building with Holly
(00:40:37):
and it's like the end of the movie,
(00:40:39):
that romantic embrace.
(00:40:42):
And then he sees Sergeant Al Powell.
(00:40:45):
Yes.
(00:40:46):
And then he realizes that that was his main crush the whole time.
(00:40:51):
He was like, yeah, Carl Winslow did it.
(00:40:54):
Did I do that?
(00:40:57):
Yeah.
(00:41:01):
And this was actually I read that this was the first time they were actually like
(00:41:06):
filming together,
(00:41:07):
too.
(00:41:07):
So it's kind of like, you know, the meeting for the first time.
(00:41:11):
Exciting in their own little way.
(00:41:13):
But I like the bromance.
(00:41:16):
You know what I loved about that?
(00:41:18):
If you remember from earlier in the movie,
(00:41:21):
I'm not going to call him Carl Winslow,
(00:41:23):
because what's his actual name in the movie?
(00:41:25):
Sergeant Al Powell.
(00:41:28):
OK, so Sergeant Al Powell tells Bruce Willis a story.
(00:41:35):
McClane he tells him a story about how he became a desk a desk jocky because he
(00:41:40):
shot a kid who showed him what he thought was a real gun he shoots him and he
(00:41:46):
couldn't deal with that so he became a desk a desk cop then at the end of the movie
(00:41:52):
everything seems cool
(00:41:56):
John McClane comes out,
(00:41:57):
Al's there,
(00:41:59):
and this terrorist pops up,
(00:42:02):
and he's ready to light them the fuck up.
(00:42:05):
And what happens?
(00:42:06):
McClane grabs Holly, drives her to the ground, and all you see is a gun.
(00:42:11):
Boom!
(00:42:13):
Shoots him like three or four times, and it's Al.
(00:42:21):
And he did do that.
(00:42:23):
Mm-hmm.
(00:42:25):
I love that part of it because earlier in the show,
(00:42:28):
you just know that he he's not capable of doing that.
(00:42:31):
And then.
(00:42:32):
Well, the reason why he's in his current position is because he shot somebody.
(00:42:37):
Well, he shot a kid with a toy gun.
(00:42:38):
Yeah.
(00:42:39):
But.
(00:42:41):
What I love is that he says, I'm really not able to use my gun anymore.
(00:42:46):
And then at the end of the movie,
(00:42:47):
it's that guy who ends up shooting him like boom,
(00:42:50):
boom,
(00:42:50):
boom,
(00:42:51):
boom.
(00:42:52):
And saving everyone's ass because, you know.
(00:42:59):
That's it.
(00:43:00):
Because it's Carl Winslow.
(00:43:03):
Because it's Carl Winslow.
(00:43:04):
Eric, what about you?
(00:43:06):
So I really like the explosion scenes like.
(00:43:10):
Hmm.
(00:43:10):
The whole top of the building goes up.
(00:43:13):
When he drops the chair down the elevator shaft and then blows the whole thing.
(00:43:17):
Yeah, that's pretty good, too.
(00:43:18):
It's pretty badass when Bruce Willis breaks through the window.
(00:43:22):
With the fire hose?
(00:43:25):
Yes.
(00:43:26):
When he goes flying.
(00:43:28):
When they're shooting him at the top of the roof,
(00:43:30):
then he grabs the fire hose and he's like,
(00:43:33):
what are you doing?
(00:43:33):
And he just goes jumping off.
(00:43:36):
yeah yeah that part's great awesome how tell me how did he do this whole thing like
(00:43:40):
barefoot so he wasn't actually like as bruce willis he was not actually barefoot
(00:43:46):
they made these special like fake feet for him like molded from his own feet so if
(00:43:53):
you actually look in certain scenes like his feet look bigger because he had these
(00:43:58):
like special i did not know that fake feet
(00:44:03):
Speaking of the bare feet,
(00:44:06):
the part in the movie where Hans told him to shoot all the glass out because he
(00:44:11):
realized he had no shoes on.
(00:44:17):
That's the type of stuff in the movie that makes me like the movie.
(00:44:21):
Things like that.
(00:44:22):
That was a lot of blood.
(00:44:24):
Terrorist and serial killer stuff.
(00:44:26):
Watching him walk across the glass barefoot.
(00:44:30):
Yeah.
(00:44:32):
He could have took another path.
(00:44:33):
He could have took a broom and swept it out of the way.
(00:44:35):
Honestly?
(00:44:36):
Yeah.
(00:44:37):
Honestly, all you have to do is get down on the ground and, like, sweep it with your hand.
(00:44:41):
Brush it to the side.
(00:44:42):
Plenty of debris.
(00:44:43):
He could have moved it.
(00:44:44):
Seriously.
(00:44:46):
That's what I would have probably have done.
(00:44:48):
We're criticizing John McLean.
(00:44:50):
Yeah.
(00:44:51):
You know, he did OK.
(00:44:53):
He did OK.
(00:44:53):
He did OK.
(00:44:54):
Honestly, there's other things that criticize about the guy.
(00:44:57):
He wasn't like the perfect husband or anything.
(00:44:59):
I mean, no.
(00:45:01):
He let his wife and his kids move to California.
(00:45:05):
And he's all like, oh, I'm a New York cop.
(00:45:09):
You know what I think, though?
(00:45:10):
I think that works in favor of the whole Christmas movie thing.
(00:45:14):
Remember, we talked about in the last episode, like the redemption quality.
(00:45:17):
Yes.
(00:45:19):
ding ding ding erica what you got to say about that miss erica yeah let me ask what
(00:45:28):
you can say all right we haven't sold her but you know what to me that this is a
(00:45:35):
redempt over a movie about redemption because mcclain's clearly not a good person
(00:45:41):
in the beginning because
(00:45:44):
I don't think he's a bad person.
(00:45:45):
I don't think bad.
(00:45:46):
I think he's a bad husband and I think he's a bad father.
(00:45:48):
I didn't get redemption.
(00:45:50):
I got blown terrorist up.
(00:45:53):
I took it for what it was.
(00:45:55):
There's a point when he is after he walks through all that glass and he's like
(00:46:00):
cleaning himself up.
(00:46:01):
He's talking to Al on the walkie talkie and he's kind of like feeling like he's not
(00:46:07):
going to make it through this.
(00:46:08):
And he's like,
(00:46:09):
tell Holly that I'm sorry and that like I should have realized like how important
(00:46:13):
like her career was and everything.
(00:46:15):
I felt at that moment there was a huge redemption aspect.
(00:46:20):
Holly moves to California.
(00:46:22):
She's clearly making like $250 a year, right?
(00:46:27):
She's making serious money because she's basically second in line to the head of this company.
(00:46:34):
John McClain is a New York City cop.
(00:46:39):
And he refuses to move to California to be with his wife, who is like half a millionaire.
(00:46:48):
That would be a quarter of a million.
(00:46:53):
Which is an average salary in California.
(00:46:57):
No, dude.
(00:46:59):
Holly McClain's not making anything average.
(00:47:01):
She is basically running this company.
(00:47:04):
What's that got to do with Redemption?
(00:47:05):
Redemption.
(00:47:07):
Because the point is that John McClane should have dropped,
(00:47:11):
like,
(00:47:13):
dude,
(00:47:13):
for him not to follow her makes no sense other than just stubbornness.
(00:47:18):
Because she's making so much money.
(00:47:22):
She and her kids are all in California.
(00:47:24):
It made no sense for him not to be in California.
(00:47:27):
They wouldn't have a movie if he did that.
(00:47:31):
I mean, he should still be invited to the Christmas party, right?
(00:47:34):
Right.
(00:47:35):
He was.
(00:47:35):
He showed up.
(00:47:36):
No, I'm saying even if he was in L.A., regardless, he should be there.
(00:47:39):
But let me tell you something.
(00:47:40):
He showed up and her last name was different.
(00:47:44):
But did you notice at the end when she's introducing herself to Al,
(00:47:50):
she does call herself Holly McLean?
(00:47:54):
No, I didn't.
(00:47:55):
Well, she does.
(00:47:55):
She does.
(00:47:57):
Must have been before they were.
(00:47:58):
I don't think he's actually seen this movie.
(00:48:04):
Well,
(00:48:05):
must have been before she was getting on with him in the back of the limo with our
(00:48:08):
guy off the front.
(00:48:09):
This didn't happen.
(00:48:13):
Have you not seen The Heart 2?
(00:48:14):
All right.
(00:48:16):
That's the first scene.
(00:48:18):
favorite bruce willis movie ever can i go first you go yes okay go sixth sense oh
(00:48:24):
that was mine oh sorry that was mine i love the sixth sense all right i'll go next
(00:48:32):
then because um die hard
(00:48:41):
All right, go ahead.
(00:48:45):
Now, it's different.
(00:48:46):
Sixth Sense, I think, is fantastic.
(00:48:49):
The one I'm thinking of is more like Fifth Element.
(00:48:52):
I thought Fifth Element was just an amazing movie.
(00:48:55):
Also filmed in Philadelphia, by the way.
(00:49:00):
What about you?
(00:49:01):
I really love Armageddon.
(00:49:04):
Anybody?
(00:49:04):
No?
(00:49:05):
You're looking at me like... It was good.
(00:49:07):
Yeah, it was good.
(00:49:07):
I love that.
(00:49:09):
A little cliche, but good.
(00:49:11):
Stop.
(00:49:12):
What?
(00:49:12):
If I was trying to pick my 11th best Bruce Willis movie, that would go Armageddon.
(00:49:17):
I mean, it would be on the top of my list at that point.
(00:49:23):
I'm Sixth Sense.
(00:49:25):
I still like Sixth Sense.
(00:49:26):
Wait a minute.
(00:49:27):
You both picked Sixth Sense?
(00:49:29):
Yeah, we could have the same favorite movie.
(00:49:30):
I didn't think you picked the same one.
(00:49:32):
Why?
(00:49:33):
Oh, I didn't.
(00:49:34):
You didn't tell me.
(00:49:34):
Did you even see it?
(00:49:36):
Yes.
(00:49:36):
Oh, how would I not see that one?
(00:49:41):
Do you know that Bruce Willis is.
(00:49:45):
In the whole movie.
(00:49:46):
Yeah, he's dead in the whole movie.
(00:49:49):
Thanks for spoiling that for me.
(00:49:53):
By the way,
(00:49:53):
Bruce Willis,
(00:49:54):
I was looking up his filmography and I was like,
(00:49:58):
man,
(00:49:58):
he's been in a lot of great movies.
(00:50:00):
No, I'm wrong.
(00:50:01):
What?
(00:50:05):
no he's been in a couple of decent movies and then m night Shyamalan like rehab
(00:50:13):
like he the sixth sense he just you know re-emerges and then he just gets carried
(00:50:19):
by by like m night because like he ends up being the main guy for
(00:50:27):
the Shyamalan movies,
(00:50:29):
but outside of Die Hard and,
(00:50:31):
you know,
(00:50:33):
then you get into like Sixth Sense and Glass and all these like M.
(00:50:36):
Night movies.
(00:50:37):
It's like, I don't know.
(00:50:40):
I'm just saying like, there's not a huge,
(00:50:44):
plethora of bruce will is like damn dude he did a lot of great movies he honestly
(00:50:49):
did like die hard die hard two die hard three die hard nine gotta capitalize on
(00:50:57):
that and then he did like the sixth sense it's like all right fiction i love pulp
(00:51:04):
Oh, yeah.
(00:51:05):
Pulp Fiction.
(00:51:07):
Fantastic movie.
(00:51:08):
Yeah.
(00:51:08):
I only just watched that recently for the first time.
(00:51:10):
Oh, really?
(00:51:12):
It wasn't really.
(00:51:13):
The Gimp?
(00:51:14):
You didn't like The Gimp?
(00:51:15):
I love Pulp Fiction.
(00:51:16):
Pulp Fiction is a great movie.
(00:51:18):
And honestly, that's a movie where I think he's fantastic.
(00:51:21):
It's a little all over the place for me.
(00:51:25):
The Gimp?
(00:51:26):
No.
(00:51:26):
The movie?
(00:51:28):
Because The Gimp is also all over the place.
(00:51:30):
The movie.
(00:51:32):
Are we ready to spin this wheel?
(00:51:34):
We went from our Hollywood movies to we went to Die Hard,
(00:51:37):
and now we are going to do our audience pick.
(00:51:41):
You gave us a list of movies.
(00:51:43):
We put them on a wheel,
(00:51:44):
and we are going to spin the wheel and decide which movie to review next.
(00:51:47):
Spin the win.
(00:51:48):
Now, Mr. Ryan with the wheel, are you going to spin it, sir?
(00:51:52):
All right, here we go.
(00:51:53):
It is time to spin the movie, Club Wheel of Destiny, audience pick.
(00:51:59):
All right, here we go.
(00:52:00):
Spin it, spin it, spin it.
(00:52:02):
And it is...
(00:52:07):
hangover we got the hangover is where john does not look happy no it's great i like
(00:52:20):
this movie um but no buts it'll be fun i wonder who who who gave us that movie i i
(00:52:30):
don't know and don't say whoever you think it is